Sherlock Holmes, after a fashion (
if_inconvenient) wrote2010-09-02 04:50 pm
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Right. Cal is due to arrive any minute now. Tony is downstairs in his workshop, playing with his cars. Sherlock puts away his violin and descends to the ground floor, pondering the choice of living rooms.
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In case Sherlock feels the need to let Tony know he's leaving first.
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"Okay, then let's go."
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Sherlock heads for the door.
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The farther they get from Obadiah Stane, the better he feels.
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And has maybe spent an hour or so in a good, hot shower.
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"So I'm glad you liked the movie, anyway," Cal says eventually.
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Whether that's now or later—well, Sherlock doesn't know if he's up to it, so he certainly doesn't know if Cal is.
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He is far from being in the right mood to try to focus on a movie.
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"Shall I skip running the maternal gauntlet and just sneak in?"
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"Shit," Cal mutters, "I forgot. Yeah, that would . . . that would probably be best."
He doesn't want to deal with that right now. He figures Sherlock probably doesn't either, for that matter.
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He really does. Arguing with Violet would be much the same kind of stress relief as going out and getting into a drunken brawl; breaking into the house will be more akin to a nice, quiet, soothing game of chess.
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"You know what," he says, "I believe that.
". . . it'll give me time a take a shower, anyway."
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Cal's grip on the wheel is easing up just a little.
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He is quiet for a while, becoming less tense as time goes on.
Eventually: "Here will do."
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Cal pulls over for Sherlock to get out.
"See you later."
He hopes. He has confidence in Sherlock, but the events of the day haven't done much for his sense of optimism.
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Sherlock is confident. To hell with social skills; this is where he belongs. With a cheerful wave, he gets out of the car.
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Sherlock will find that some improvements have been made since last time. There are a couple more cameras, a couple others have been shifted, and there are more (and more alert) guards.
And since it's edging toward night time, he may also want to keep an eye out for the dogs. Those could be released at any moment.
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When he sees that Peter neglected to trim back any of the trees, he leans against someone's fence and has a good laugh. Perhaps there was a conflict with the gardener. In any case, that sturdy oak is going to serve him a second time.
Now. The schedule of the cameras is tighter, but still imperfect. The guards are more numerous, yes, and more alert, but unfortunately one of them does not seem to know his assigned area very well. Periodically, he passes behind a hedge that obscures his view of a fairly wide section of lawn. That section seems deceptively open, which must be why the fellow isn't worried about leaving it to its own devices, but it is the site of the most extensive gaps in the timing of the cameras. And that oak tree, his beloved oak tree, stands tall and leafy at the far side of it.
Right.
One breathless, silent sprint later, he is concealed among the branches of the tree. If someone happened to be passing by in the street, they could likely see him, but the guard who is supposed to be watching this position is only just emerging from behind that bloody hedge and there is a thick branch between them. As for the cameras, they rarely look so close to the house itself.
He takes a moment to catch his breath.
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"If your friend makes it through," he said, "I won't sound the alarm."
So now, Peter waits. Going in through Cal's window is too exposed, and the hallway is the only other access point. And Peter's not going to insult Sherlock or himself by waiting in the spare bedroom again. He made his point last time.
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Sherlock peeks in the window—a little farther away from Cal's room than the skylight he used last time.
He catches sight of Peter's sleeve and immediately deduces much of what occurred between him and Cal. A grin breaks across his face, and he almost laughs—which would draw unwanted attention and get him likely arrested, at best banished from the property, at worst shot.
And if he doesn't get inside in the next four and a half seconds (four point four, four point three), he is going to be visible on camera.
He drops neatly into the hallway, shuts the window behind him, and slides gently down the wall until he is sitting on the floor having an almost noiseless fit of giggles.
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And the demonstration of why appears to be caught up in a giggle fit.
"Whenever you're ready," he says after a moment.
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